How to photograph auroras I

A 2 part series on how to photograph the aurora (borealis & australis).

Aurora photography

Part I

Photographing the northern lights is not so difficult, if a few simple guidelines are followed, anyone can take reasonable aurora pics. Most of it is about understanding your camera (especially it’s limits), understanding a little bit of photography theory and putting everything into practice. We are not pro photographers, but we are camera enthusiasts and have been shooting auroras and night sky in temps down to -33°C. But before we come to the photography aspects of it, we must cover the other aspect of photographing aurora; Aurora Borealis is found in far north latitudes.

Using this formula we come to a simple answer;
Far north + winter = COLD.

When your out photographing the aurora, you will most likely be out there for a long while. So in order to get the best aurora shots possible, you need to be warm and comfortable. If you are happy, then your aurora shots will be happy too. If you are cold, tired, uncomfortable etc, then your aurora shots will likely suffer. So before you even grab your camera equipment, prepare yourself.

Your settings

It really depends what time of winter you visit, so I will write this article with January in mind, the coldest month in many places. If you are familiar with living in cold climates, you can skip this section, it is really meant for people visiting the north from not so cold places.

You can wear enough clothes that you think will keep you warm, but usually this is not enough. Because you are stood still, there is little circulation, so you need to over-dress to offset this.

Usually when you see pictures from lapland of aurora tourists they are wearing snow suits like this:

photographing aurora

They are a good idea, sometimes if the temperatures are below -15°C and/or there is a killer wind, I will wear my suit also. So if the temperature is very cold and/or strong cold winds, you should maybe buy a suit like that or in Lapland you can rent them. Down to -15°C I wear pretty normal clothes (ski pants + goretex jacket with fleece jacket underneath) and stay pretty warm. The important thing is feet, hands and head, once they start to get cold it is pretty impossible to get them warm again, so your aurora watching may be called off early. Don’t let that happen!

This is what I recommend (they are almost identical to what I wear too):

1keep warm while winter photography2photographing northern lights keep warm3how to take aurora photos4northern lights

5aurora boralis photographs keeping warm6photographing aurora proper boots7Photograph northern lights8mittens


    1. Thermal base layer
    2. Salopettes (with or without trousers underneath, depends how cold)
    3. Wool jumper
    4. Fleece jacket
    5. Goretex jacket
    6. Snow boots (1 or 2 sizes bigger than shoe size)
    7. 2 or 3 pairs of wool socks
    8. Normal wool gloves + goretex mittens over them
    9. Good hat + balaclava just incase
    10. Thermos/Termos with hot drink

It might sound very obvious and quite condescending to write this clothes bit, but really, if you get even a slight chill when you are out, it can turn a nice experience into a living hell, especially if you are very far away from your car or wherever. You have to be warm and comfortable. To put it into perspective, I will wear the same clothes for aurora photography as I do for Ice Fishing, because it is the same principle, stood still for many hours with not much circulation.

Well now enough of sounding like your mother, on to serious business..

Camera settings

Ideally, you will need a DSLR camera for best results. It is possible to photograph aurora with a point and shoot camera. I have done it myself, here is an image I took with a very old Sony 5mp camera point and shoot:

photographing aurora with point and shoot camera

But really, you need DSLR for good results.

It should be noted, I am writing this guide for someone going on holiday to watch auroras, who wants to photograph them to keep as memories. I am not writing this for a pro photographer who wants to sell aurora prints or whatever, that is beyond the scope of this article, and really a pro photographer should not have to read guides like this about how to photograph the aurora.

So you want to capture good aurora shots to show your family and friends and post to facebook etc. Well, you don’t need anything special really to get good results. For instance I have used a 10 year old Canon DSLR (EOS 10D) with the basic kit lens for many of my aurora shots, such as these:

Aurora photography

Aurora photography

Aurora photography



They are nothing special, but they are acceptable. Especially for a camera from 2003. Which I doubt anybody reading this page has an old camera as that, so in theory, if you have a more recent camera than that, you should be getting better images than those above.

Depending on how fast your lens is and how high ISO you can go to on your camera, your exposure times will be at least a few seconds, typically 5-15 seconds.  So you will need a tripod and preferably a remote shutter release, although you can use the self timer if you don’t have a remote.

How to photograph northern lights Remote reduces vibrations which can cause soft or even blurred images. Also consider wireless remotes because the rubber cable becomes solid and brittle on cables versions in very cold conditions.

Aurora BorealisTripod is mandatory.

Autofocus/manual focus

Your camera is very unlikely to be able to autofocus on the aurora. So you will have to use manual focus. If your using a decent lens which has focus markings, it should be reasonably easy. If you using a cheap or kit lens with a front rotating focus ring with no focussing marks, it will be a little more tricky. In this instance, in the day time, focus on something far away using autofocus, something like a tree in the distance or whatever you have where you are and then switch the lens to manual focus. You can now mark these points on the lens with a marker pen, so whenever you do aurora photography in the future just twist the manual focus ring until the 2 marks line up. Alternatively you can put some tape on the lens to stop the focus ring turning. Or just leave it be and try not to touch it (bad idea…).

Personally, I tape my lens. I have used the marker pen trick and the trying not to move the focus ring trick, and they both failed and a whole nights aurora shooting was wasted because they looked ok on the viewfinder, but on the computer they were blurry as hell because the focus ring had moved about 3mm and I didn’t know it. So now I go out in the day time, take a distance shot on autofocus and tape the focus ring tight so there is no chance of it falling out of focus.

The 3rd option for getting accurate focus (and best option if your camera has this feature) is Live view. It is pretty much standard on every DSLR these days. So try to focus on something in the distance and use your live view, zoom in, adjust focus so the image is sharp, and try not to touch the focus ring after this (you could tape it like the methods above).

Aperture, ISO & Shutter speed

The aurora is always moving, so if you want to capture detail, you want to have the fastest shutter speed you can. Obviously this means you need to get as much light to the sensor as possible. Which means using the largest aperture your lens will allow. My lens goes to f3.5, but it is so soft, I have to stop it down to f4, if you have a good lens that is sharp at all apertures, then go as big as you can, f3.5, f2.8, or larger if you have it.

The same principle applies to ISO, you want as high ISO as you can, without suffering serious noise. As my EOS 10D is so old, the ISO capability is not great, so I keep it on ISO 800 mostly or ISO1600 on very dark moonless nights, but I have to do a lot of noise reduction afterwards. If you have a more capable DSLR, you can run it at 1600 ISO, 3200 ISO or higher still if it performs well at those ISO’s.

Those two factors will allow a fast shutter speed, which is absolutely crucial to capturing detail in the aurora. The longer the exposure time, the more detail is lost and the more it just becomes a blur of colours. Obviously every aurora show is different, and it can move faster one night than the next, so you may need to adjust your exposure times to suit it. But typically anything from 2 to 10 seconds should pick up a lot of detail in the aurora. More than 10/15 seconds and it will start to lose detail rapidly.

Moon settings

I am including the moon here, because it is a really important aspect of aurora photography. It provides a lot of light and you can decrease your exposure times significantly compared to a moonless night. Also, if you want your foreground to be illuminated, like the bridge in my shots above, then you will require a good supply of moonlight. My bridge shots were shot around 3 days before full moon and exposure times were between 10 and 15 seconds at F4 and ISO 800. Again, if your camera has great ISO capability, you could have gotten this exposure time down to 5 seconds with a higher ISO, capturing even more detail in the aurora bands.

One must be careful to not use the same settings every time for aurora photography. It is evident some photographers get caught in this trap, and on bright nights bathed in moonlight, their shots are over exposed, leading to comments such as “I didn’t know the aurora was visible in daylight” etc… You must revise your settings on the night you are shooting for the best results and nicely exposed shots  (although if you shoot in RAW, you can adjust the exposures in post, but the more you get it right in camera the better).


For best results you should really shoot auroras in RAW. This gives you the cleanest images and they respond excellently to adjustments in post editing. You can of course shoot in JPEG if you like, I have done it myself when I have have forgot to switch to RAW.


Well, I don’t know what camera you have, so I cannot suggest a lens for you exactly. But there are a few things that are good for aurora shooting.

Wide angle – You want to get as much aurora in your shot as possible, so wide sweeping landscapes with long sweeping auroras produce excellent shots. On a full frame camera, anything below 24mm is great. On a crop sensor anything below 17mm is great.

Large aperture - As previously mentioned, you want as much light hitting the sensor as possible, so bigger apertures are better.

Primes – Prime lenses are a favourite amongst aurora photographers. They are usually sharp and due to less lens elements, they usually allow more light in. If you only shoot auroras once or twice a year, it probably isn’t worth the expense and the wide end of your kit or zoom lens will probably do the job fine.

Best lens to photograph auroraSamyang 14mm f2.8 is a favourite among aurora photographers

Common problems

Sounds pretty easy so far, but it’s not always plain sailing. There are a few issues that confront aurora photographers. The biggest probably being dew or frost forming on the end of the lens. Dew forms when your lens gets cold and moisture in the air starts condensing on it. It is not evident when you run outside for a few shots as your camera remains warm enough to keep dew at bay, but it is very evident when you are outside for a long time and the camera gets chance to cool to ambient temperature. There are many ways to deal with it, using a lens hood helps, as does using telescope dew heaters wrapped around your lens.

This is the way we deal with dew:

keeping dew off camera lens

Another issue is the cold. Below 0°C it starts reducing battery life, the colder it gets, the quicker the batteries drain. It is the same principle as your car battery and why it can be dead in winter. So you should have spare batteries. Keep the spare batteries in a warm place until the very last second you need to put them in the camera. This also applies to phones and tablet computers, as they will quickly die in the cold too. Keep anything with a battery in next to your body, in internal pockets and only take them out when needed and quickly put them back in before they get too cold.

If you can’t keep your camera batteries somewhere warm, try and insulate them, there is such things as these neoprene pouches:keeping camera batteries warm in winter

But we just use bubble wrap:bubblewrapAlthough it doesn’t look as cool, it does an amazing job of insulating things.

If there is no aurora show and it is quite serious cold -20°C and below, keep the camera in the camera bag until the aurora shows up, wrap it with bubble wrap before you leave the house to limit thermal shock and to keep it from freezing. I have found cameras operate ok down to about -20°C, but when it gets colder than this, they can start behaving strange, turning themselves off, and a follower on our facebook page says his D7000 screen stopped working in serious cold.

You could activate a couple hand warmers and drop them in your camera bag to keep a little residual heat in there. I use these all the time, you snap a metal disc and they heat up solid. Then you boil them in a pan of water for 10 mins to return them to gel and you can use them again.gel_hand_warmer_camera_freezing

Click here for part II,
which is about how to edit your aurora pictures once you have taken them.

4 Responses to How to photograph auroras I

  1. Carole.G says:

    As a complete Aurora newbie this is fabulous :) I’ll be gleaning as much info as possible and hope to be off hunting the Northern Lights ASAP!!!!! Scotland first then onto Iceland, Norway, Sweden etc. when funds allow. Can’t wait to explore more of this wonderful website.

  2. lea says:

    Great article. This is my first look at how to photograph the Auroras, there is so much information there. Thank you.
    We have been lucky enough to see the northern lights from our windows for the last three nights in a row and have only compact cameras on “starry night setting” and it really does make you want to invest in a good camera. We are not photographers so we are looking at the most automatic possible.
    Brilliant site though.

  3. Valther Jorgensen says:

    I will talk about how it is to photograph auroras here in Denmark (nose of Jutland)
    It is not so easy to find dark areas, so I use an area of ​​holiday homes by the sea to the north, and that is completely deserted in winter.
    Here in the winter time it is of course with ski wear, good winter boots and a knitted hat – usually the temperature hovers around freezing point so gloves are not the most necessary !!!
    The time can be so driven with coffee or cocoa drinking – it’s very nice. It must be said – I have the car with as it is a large grassy area right out to the water’s edge with fine motor access. I’m using your alert KP index and which I have up to one hour’s notice, so it’s really fine.
    A good tripod with extra weight is a must for me as it almost always windy on the coast.
    The camera (Canon 5D mkIII) fitted with 24 – 70mm lens as it covers plentiful, the northern lights are almost always low and is of natural causes very far away. I expose always between 6-15 sec. and solid high iso. and always in the RAW format.
    Actually I do not use remote control, users prefer a black piece of cardboard and a slightly longer hours, then I’m totally free of vibration.
    I treat the image very little, the color is a little reinforcement but otherwise the sharpness and grain are edited for.
    The reality is different than most people think – it Norlys we see here in Denmark is rarely so strongly but the digital camera see it clearly because of the longer hours compared to the eye!
    My great wish is obviously to get up high in Norway or Sweden and see “the light” where it matters most – it will come sometime!
    Right now we are waiting for spring and maybe even summer, there I hope to photograph the northern lights on the bright night sky. Since I believe in the good in everything will certainly succeeded for me one night.

  4. Noah S says:

    The screen on my Nikon D3300 has worked at -35C but once it cools down the screen will lag and images will take a few seconds to fully fade or render as you go through them.

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